J.S. Bach: French Suites, BWV 812-817

J.S. Bach: French Suites, BWV 812-817

Regular price £16.99
Total playing time [125:37]

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Julian Perkins (clavichord)

Making his Resonus solo recording debut, early keyboard player Julian Perkins records the fascinating six French Suites by J.S. Bach on clavichord, the most delicate of keyboard instruments that was favoured by Bach himself.

Completing the recording, Perkins includes solo suites by Johann Jakob Froberger and Georg Philipp Telemann,  both of whom Bach is thought to have studied by moonlight in his earlier years. Julian Perkins uses two modern copies built by Peter Bavington.

Album Booklet (PDF)

Tracklist

DISC ONE
Johann Jakob Froberger (1616–1667)
Partita No. 2 in D minor, FbWV 602
From Libro Secondo (1649), dedicated to Emperor Ferdinand III von Habsburg
1. Allemanda
2. Courant
3. Sarabanda
4. Gigue

Johann Sebastian Bach (1685-1750)
Suite No. 1 in D minor, BWV 812
5. Allemande
6. Courante
7. Sarabande
8. Menuet I & II
9. Gigue

Suite No. 2 in C minor, BWV 813
10. Allemande
11. Courante
12. Sarabande
13. Air
14. Menuet I & II
15. Gigue

Suite No. 3 in B minor, BWV 814
16. Allemande
17. Courante
18. Sarabande
19. Anglaise
20. Menuet & Trio
21. Gigue

Disc Two
Georg Philipp Telemann (1681–1767)
Suite in A major, TWV 32:14
1. Allemande
2. Courante
3. Sarabanda, TWV 41: A1 †
4. Gigue

Johann Sebastian Bach
Suite No. 4 in E-flat major, BWV 815
5. Prélude, BWV 815a
6. Allemande
7. Courante
8. Sarabande
9. Gavotte & Menuet
10. Air
11. Gigue

Suite No. 5 in G major, BWV 816
12. Allemande
13. Courante
14. Sarabande
15. Gavotte
16. Bourrée
17. Loure
18. Gigue

Suite No. 6 in E major, BWV 817
19. Prélude, BWV 854/1
20. Allemande
21. Courante
22. Sarabande
23. Gavotte
24. Polonaise & Menuet
25. Bourrée
26. Gigue

'The ability to play loud and soft, albeit within a very narrow and low-level range – is effectively exploited by Perkins; melodies sing over their accompaniments and the soft-curved sarabandes (the Fifth especially) are shaped with beauty and feeling'

- Gramophone

'The ability to play loud and soft, albeit within a very narrow and low-level range – is effectively exploited by Perkins; melodies sing over their accompaniments and the soft-curved sarabandes (the Fifth especially) are shaped with beauty and feeling'
Gramophone

In making this recording Perkins has done an important service to both the clavichord and to J. S. Bach. As a different take on these well-known works it can be highly recommended'
Early Music Review

'[...] Julian Perkins is a fine musician and plays the suites elegantly'
BBC Music Magazine

'Perkins demonstrates complete rapport with the instruments and music, evoking a wide range of colors and effects. His performances are delightfully unbuttoned but never mannered [...] Altogether, this is music making of the highest order, rewarding the attentive listener at every level of detail.'
Boston Clavichord Society Journal

'[...] a most valuable addition, particularly for clavichord recording collectors'
The British Clavichord Society Newsletter

'Julian Perkins’ playing is sensitive and musical. He makes excellent use of ornaments, both realised from the score and also added improvisational ornaments,all forming an integral part of the music line, rather than being the often heard ‘add-ons’ to the texture. He also adopts an attractively free approach to interpretation, entirely appropriate given the complications of the sources of these suites. [...] I recommend turning off the lights, lighting a candle, sitting back and just letting the music flow.'
Andrew Benson-Wilson (andrewbensonwilson.org)

'These works sit perfectly on the clavichord and are here given lively yet intimate performances which are highly convincing'
Lark Reviews

Credits
© 2016 Resonus Limited
Ⓟ 2016 Resonus Limited
Catalogue No. RES10163
Producer, engineer & editor: Adam Binks
EAN: 5060262790670
Cover image: Clavichord detail © Resonus Limited