'He and van Delft play as though on one supercharged harpsichord, their ensemble immaculate, the clarity and resonance of their instruments beautifully captured.'
Gramophone

'This is one of two discs this month of which I have to say, ‘This is the most enormous fun’. The instruments (modern copies of Hemsch and Blanchet) produce a fine, rich sound [...] and under the hands of these uninhibited players give us a thrill-packed journey.'
Early Music Review

'The superbly animated playing carries one along [...] The fillers, Couperin’s La Paix de Parnasse and Gaspard Le Roux’s Suite in F, are delicious. The sound is so vivid you are transported to the recording venue: a Dutch church in spring complete with chirping birds.'
Limelight (Australia)

'The two harpsichords are by Titus Crijnen after on 1736 Hemsch and 1730 Etienne models, and sound splendid [...] It all works extremely well and makes for a fascinating programme.'
Andrew Benson-Wilson (www.andrewbensonwilson.org)

'The dramatic character has been kept alive which is not only the result of Brachetta's work as an arranger but is also the result of how he and Menno van Delft - one of his former teachers - perform it. They play with theatrical flair [...] The pieces by Couperin and Le Roux receive equally fine performances'
MusicWeb International

'The sound of a full-bodied harpsichord can be thrilling – and here we have two together! [...] There is plenty of light and shade although the overall tone of this French baroque programme is vibrant and uplifting. [...] A thrilling experience!'
Lark Reviews

'[...] the quality of the playing on Resonus is excellent: I can only marvel with envy at the way in which both players toss off the ornaments with apparent ease.'
MusicWeb International (download roundup)