‘Refreshingly rethought interpretations of a classic quartet coupling [...] thought-provoking deeply satisfying performances'
The Strad ('The Strad Recommends')

'The Eroica Quartet give us the first modern recording of these works to feature gut strings. They certainly succeed in underlining the lyric warmth of both works; the expression is strong but comfortable at every point, in contrast to so many modern quartet performances that overemphasize the dramatic.'
Classical Ear

'[...] there is extraordinary clarity to each part and to the ensemble’s playing as a whole. Owing in large part to the gut strings, there is also a sweetness to the Eroica’s sound that is quite appealing and, I believe, appropriate for these scores.'
Fanfare

'The group's selling point is its use of gut strings [...] for the Eroica tonal colour is a particular priority [...] intensified by muted colours and expressive portamentos [...] Their pizzicato, such a vital component in the second movement of both quartets, is lithe and telling too.'
Gramophone

'The Ravel is marked by high levels of contrast, particularly the sense of attack in the final movement set against the gentle pizzicato of the second movement [...] The Debussy is equally appealing and I particularly enjoyed the rather languorous approach to the Andantino.'
Lark Reviews

'[...] the quartet delivers an interpretation that is riveting and vivid'
HiRes Review